Test

āļ„āļĨิāļ! āđ€āļžื่āļ­āđ€āļ­āļēāđ‚āļ„้āļ”āļĢูāļ›āļ™ี้
ðŸ‘ŊðŸ‘ŊðŸ‘ŊðŸ‘Ŋ

Examination

1. We’re off to……John. We want to see the new film at the Indra.
1. pick over … come over
2. pick up … come along
3. pick on … come by
4.. pick out … come in (Ent.āļ§ิāļ—āļĒ์)

1. āđ€āļ‰āļĨāļĒāļ‚้āļ­ 2 pick up…come along
pick up = āđāļ§āļ°āļĢัāļš, āļŦāļĒิāļš come along = āđ„āļ›āļ”้āļ§āļĒāļัāļ™
We’re off to pick up John. We want to see the new film at the indra.
Would you like to come along ?
āđ€āļĢāļēāļ­āļ­āļāđ„āļ›āļĢัāļšāļˆāļ­āļŦ์āļ™ āđ€āļĢāļēāļ•้āļ­āļ‡āļāļēāļĢāļ”ูāļ āļēāļžāļĒāļ™āļ•āļĢ์āđ€āļĢื่āļ­āļ‡āđƒāļŦāļĄ่āļ—ี่ āļ­ิāļ™āļ—āļĢāļē
āļ„ุāļ“āļ•้āļ­āļ‡āļāļēāļĢāđ„āļ›āļ”้āļ§āļĒāļัāļ™āđ„āļŦāļĄāļĨ่āļ° ?


2. My youngest sister could…..a faucet to get a drink, but she was never able to…..the water all over the floor. (Ent.āļ§ิāļ—āļĒ์)
1. turn on … clean up
2. turn to … pick up
3. turn out … put away
4. turn off … sweep away


2. āđ€āļ‰āļĨāļĒāļ‚้āļ­ 1 turn on …clean up
turn on = āđ€āļ›ิāļ”, āļŦāļĄุāļ™ (āļĢāļ­āļšāđāļāļ™),
clean up = āļ—āļģāļ„āļ§āļēāļĄāļŠāļ°āļ­āļēāļ”
My youngest sister could turn on a faucet to get a drink, but she was never able to clean up the water all over the floor.
āļ™้āļ­āļ‡āļŠāļēāļ§āļ„āļ™āđ€āļĨ็āļāļ—ี่āļŠุāļ”āļŠāļēāļĄāļēāļĢāļ–āđ€āļ›ิāļ”āļ๊āļ­āļāļ™ํ้āļēāļ”ื่āļĄāđ„āļ”้āđāļ•่āđ€āļ˜āļ­āđ„āļĄ่āļŠāļēāļĄāļēāļĢāļ–āļ—āļģāļ„āļ§āļēāļĄāļŠāļ°āļ­āļēāļ”āļ™้āļģāļ—ี่āļ­āļĒู่āđ€āļ•็āļĄāļžื้āļ™
turn out = āļāļĨāļēāļĒāđ€āļ›็āļ™ turn off = āļ›ิāļ”
pick up = āļŦāļĒิā   put away = āđ€āļ­āļēāđ„āļ›āđ€āļ็āļšāļ—ี่
sweep away – āļ›ัāļ”āļāļ§āļēāļ”āđƒāļŦ้āļŠāļ°āļ­āļēāļ”


3. In ordinary conversation I concentrate my gaze….both eyes of the person addressing me. (Ent.āļĻิāļĨāļ›์)
1. in
2. on
3. at
4. to


3. āđ€āļ‰āļĨāļĒāļ‚้āļ­ 2 on
concentrate my gaze on = āļˆ้āļ­āļ‡, āđ‚āļ›āļĢāļ”āļˆāļģāđ„āļ§้āļ§่āļē
concentrate āļˆāļ°āļ•āļēāļĄāļ”้āļ§āļĒ preposition ‘on’ āđ€āļŠāļĄāļ­


4. There were many inconveniences that you have to put…..      when you go camping. (Ent.āļĻิāļĨāļ›์)
1. off to
2. away from
3. cut from
4. up with


4. āđ€āļ‰āļĨāļĒāļ‚้āļ­ 4 up with
put up with = āļĒāļ­āļĄāļ­āļ”āļ—āļ™
There are many inconveniences that you have to put up with when you go camping.
āļĄีāļŠิ่āļ‡āļ—ี่āđ„āļĄ่āļŠāļ°āļ”āļ§āļāļŠāļšāļēāļĒāļŦāļĨāļēāļĒāļ­āļĒ่āļēāļ‡ āđ€āļ˜āļ­āļ•้āļ­āļ‡āļ­āļ”āļ—āļ™āđ€āļĄื่āļ­āđ„āļ›āļ­āļĒู่āđāļ„āļĄāļ›์


5. I think you’d better sort    …..the things you want to keep and the things you want to throw…..before we leave. (Ent.āļĻิāļĨāļ›์)
1. out, away
2. with, out
3. away, out
4. of, away

5. āđ€āļ‰āļĨāļĒāļ‚้āļ­ 1 out, away
sort out = āļˆัāļ”āđƒāļŦ้āđ€āļ›็āļ™āļŦāļĄāļ§āļ”āļŦāļĄู่ throw away – āđ‚āļĒāļ™āļ—ิ้āļ‡
I think you d better sort out the things you want to keep and things you want to throw away before we leave.
āļ‰ัāļ™āļ„ิāļ”āļ§่āļēāđ€āļ˜āļ­āļ„āļ§āļĢāļˆāļ°āļˆัāļ”āļŠิ่āļ‡āļ‚āļ­āļ‡āļ—ี่āļ„ุāļ“āļ•้āļ­āļ‡āļāļēāļĢāđ€āļ็āļšāđ€āļ­āļēāđ„āļ§้āđƒāļŦ้āđ€āļ›็āļ™āļŦāļĄāļ§āļ”āļŦāļĄู่ āđāļĨāļ°āļŠิ่āļ‡āļ‚āļ­āļ‡āļ—ี่āļ„ุāļ“āļ•้āļ­āļ‡āļāļēāļĢāļ—ิ้āļ‡āđ† āđ„āļ›āđ€āļŠีāļĒāļ่āļ­āļ™āļ—ี่āđ€āļĢāļēāļ­āļ­āļāđ„āļ›



āļ—ี่āļĄāļē:āļ˜āļ§ัāļŠāļŠัāļĒ  āļ›āļēāļ™āļ™ิāļĄิāļ•


                              
                             
āļ‚้āļ­āļŠāļ­āļš CU-TEP Reading Comprehensio
Test 1



     It’s an annual back-to-school routine. One morning you wave goodbye, and that ….1…. evening you’re burning the late-night oil in sympathy. In the race to improve educational standards, …2… are throwing the books at kids. Even elementary school students are complaining of homework ….3…… What’s a well-meaning parent to do?
     As hard as it may be, sit back and chill, experts advise. Though you’ve got to get them to do it, by helping too much, or even examining ………4……… too carefully, you may keep them from doing it by themselves. “I wouldn’t advise a parent to check every ………5…….. assignment,” says psychologist, John Raymond, author Of Ending the Tough Homework.  “There’s a ………6……… of appreciation for trial and error. Let your children ………7…….. the grade they deserve.”
     Many experts believe parents should gently look over the work of younger children and ask them to rethink their ……..8…….. but “you don’t want them to feel it has to be ……..9………,” he says.
     That’s not to say parents should ………10…….. homework – first, they should monitor how much homework their kids ……….11…….. Thirty minutes a day in the early elementary years and an hour in ………12…….. four, five and six is standard, says Raymond. For junior-high students it should be “….13….. more than an hour and a half,” and two for high-school students. If your child ….14…. has more homework than this, you may want to check with other parents and then talk to the teacher about……15…… assignment 

1.A.  veryB.  exactC.  rightD.  usual
2.A.  officialsB.  parentsC.  expertsD.  schools
3.A.  fatigueB.  confusionC.  dutyD.  puzzle
4.A.  questionsB.  answersC.  standardsD.  rules
5.A.  singleB.  pieceC.  pageD.  other
6.A.  dropB.  shortC.  cutD.  lack
7.A.  acquireB.  earnC.  gatherD.  reach
8.A.  exercisesB.  defectsC.  mistakesD.  tests
9.A.  perfectB.  betterC.  unusualD.  complete
10.A.  forgetB.  refuseC.  missD.  ignore
11.A.  haveB.  prepareC.  makeD.  perform
12.A.  classesB.  groupsC.  gradesD.  terms
13.A.  aboutB.  no C.  muchD.  few
14.A.  previouslyB.  rarelyC.  merelyD.  consistently
15.A.  finishingB.  loweringC.  reducingD.  declining


1.   a. very — very evening = āđƒāļ™āđ€āļĒ็āļ™āļ™ั้āļ™āđ€āļ­āļ‡
2.   b. school — āđ‚āļĢāļ‡āđ€āļĢีāļĒāļ™āđ€āļ›็āļ™āļ„āļ™āļŠั่āļ‡āļāļēāļĢāļš้āļēāļ™ (āđ‚āļĒāļ™āļŦāļ™ัāļ‡āļŠืāļ­) āđƒāļŦ้āđ€āļ”็āļ
3.   c. duty — āđ€āļ”็āļāļ•้āļ­āļ‡āļĢัāļšāļ āļēāļĢāļ°āļāļēāļĢāļš้āļēāļ™ (homeworkduty)
4.   b. answers –āļāļēāļĢāļŠ่āļ§āļĒāļĨูāļāļĄāļēāļāđ€āļิāļ™āđ„āļ›āļŦāļĢืāļ­āļ•āļĢāļ§āļˆāļ—ุāļāļ„āļģāļ•āļ­āļšāļˆāļ°āļ—āļģāđƒāļŦ้āđ€āļ”็āļāđ„āļĄ่āđ„āļ”้āļ—āļģāļāļēāļĢāļš้āļēāļ™āđ€āļ­āļ‡
5.   a. single — single āđāļ›āļĨāļ§่āļē “āđ€āļ”ี่āļĒāļ§” single assignment āļŠ่āļ§āļĒāđ€āļ™้āļ™āđƒāļŦ้āđ€āļŦ็āļ™āļ§่āļē āļ•āļĢāļ§āļˆāļ”ูāļ—ุāļāļ‡āļēāļ™āđāļ•่āļĨāļ°āļŠิ้āļ™āļˆāļĢิāļ‡āđ†
6.   a. drop — drop of appreciation āđ€āļĢāļēāđƒāļŠ้āļ„āļģāļ™ี้ āļŦāļĄāļēāļĒāļ–ึāļ‡ āļĢāļŠāļŠāļēāļ•ิāļ‚āļ­āļ‡āļ„āļ§āļēāļĄāļ‹āļēāļšāļ‹ึ้āļ‡āđƒāļˆ āļ„ืāļ­āđƒāļŦ้āđ€āļ”็āļāđ„āļ”้āļĢัāļšāļĢู้āļĢāļŠāļŠāļēāļ•ิāļ‚āļ­āļ‡āļāļēāļĢāļĨāļ­āļ‡āļœิāļ”āļĨāļ­āļ‡āļ–ูāļ
7.   b. earn — āđ„āļ”้āļĢัāļš āđƒāļŠ้āļัāļšāđ€āļāļĢāļ” āļŦāļĢืāļ­āđ€āļ‡ิāļ™
8.   c. mistake — āļž่āļ­āđāļĄ่āļ„āļ§āļĢāđƒāļŦ้āļĨูāļāđ„āļ”้āļ—āļšāļ—āļ§āļ™āļ‚้āļ­āļœิāļ”āļžāļĨāļēāļ”( mistake)āđƒāļŦāļĄ่
9.   a. perfect –āļž่āļ­āđāļĄ่āļ•้āļ­āļ‡āđ„āļĄ่āļ—āļģāđƒāļŦ้āļĨูāļāļĢู้āļŠึāļāļ§่āļēāļ—ุāļāļ­āļĒ่āļēāļ‡āļ•้āļ­āļ‡āļ­āļ­āļāļĄāļēāļŠāļĄāļšูāļĢāļ“์āđāļšāļš
10.  d. ignore — āđāļ•่āļ–ึāļ‡āļāļĢāļ°āļ™ั้āļ™āļ็āđ„āļĄ่āđƒāļŠ่āļ§่āļēāđƒāļŦ้āļž่āļ­āđāļĄ่āļĨāļ°āđ€āļĨāļĒāļāļēāļĢāļš้āļēāļ™āļ‚āļ­āļ‡āļĨูāļ
11.  a. have –āļž่āļ­āđāļĄ่āļ„āļ§āļĢāļ”ูāļ§่āļēāļĨูāļāļĄีāļāļēāļĢāļš้āļēāļ™āđ€āļ—่āļēāđ„āļŦāļĢ่
12.  c. grade –grade four = āļ›.4
13.  b. no — āļŠāļģāļŦāļĢัāļšāļŠั้āļ™āļĄัāļ˜āļĒāļĄāļ•้āļ™āļ„āļ§āļĢāļ—āļģāļāļēāļĢāļš้āļēāļ™āđ„āļĄ่āđ€āļิāļ™1 āļŠั่āļ§āđ‚āļĄāļ‡āļ„āļĢึ่āļ‡ (no more than)
14.  d. consistently — āļ–้āļēāļĨูāļāđƒāļŠ้āđ€āļ§āļĨāļēāļ—āļģāļāļēāļĢāļš้āļēāļ™āļĄāļēāļāļāļ§่āļēāļ™ี้āļ­āļĒู่āđ€āļŠāļĄāļ­āđ†
15.  c. reducing– āđƒāļŦ้āļ›āļĢึāļāļĐāļēāļœู้āļ›āļāļ„āļĢāļ­āļ‡āļ„āļ™āļ­ื่āļ™āđāļĨāļ°āļ„ุāļĒāļัāļšāļ„āļĢูāđ€āļี่āļĒāļ§āļัāļšāļāļēāļĢāļĨāļ”āļāļēāļĢāļš้āļēāļ™ Reading Comprehension
     
     Popular architecture in the United States in the beginning of the twentieth century paid respect to elaborately ornate historical motifs. The new skyscrapers sprouting up at the time were often ornately finished with elements of Gothic or Roman detailing.
     During this period of emphasis on intricate ornamentation, certain architects began moving in a different direction, from the historic attention to ornate detailing toward more modern design typified by simplified flowing lines. Frank Lloyd Wright, the best known of these early modern architects, started work in Chicago designing “prairie houses,” long low buildings featuring flowing horizontal lines and simplistic unity of design. These buildings were intended to fit the wide open expanses of Midwest plains that served as a setting for Chicago. These “prairie houses,” found in Chicago’s suburban areas, served to tie the rapidly developing neighborhoods of Chicago with its plains heritage.

16.  What is the main idea of this passage?
(A)  The architectural style of Frank Lloyd Wright represented a change from earlier styles.
(B)  Architecture in the twentieth century was very ornate.
(C)  Frank Lloyd Wright’s architecture was more elaborate than previous styles.
(D) Frank Lloyd Wright’s “prairie houses” were well-known in Chicago.
16.  a. The architectural style of Frank Lloyd Wright represented a change from earlier styles.
āđ€āļĢื่āļ­āļ‡āļĢāļēāļ§āļžูāļ”āļ–ึāļ‡āļŠāļ–āļēāļ›ัāļ•āļĒāļāļĢāļĢāļĄāđƒāļ™āļĻāļ•āļ§āļĢāļĢāļĐāļ—ี่ 20 āļ‹ึ่āļ‡āļĄีāļāļēāļĢāđ€āļ›āļĨี่āļĒāļ™āđāļ™āļ§āļˆāļēāļāļ‡āļēāļ™āđāļšāļšāļĨāļ°āđ€āļ­ีāļĒāļ”āļŦāļĢูāļŦāļĢāļē āļĄāļēāđ€āļ›็āļ™āđ€āļĢีāļĒāļšāļ‡่āļēāļĒ āđ‚āļ”āļĒāļĒāļāļ•ัāļ§āļ­āļĒ่āļēāļ‡āļ‚āļ­āļ‡āđāļŸāļĢāļ‡āļ„์
āļ‚้āļ­ b āļœิāļ”āđ€āļžāļĢāļēāļ° āļ‡āļēāļ™āđƒāļ™āļĻāļ•āļ§āļĢāļĢāļĐāļ—ี่ 20 āļĄีāļ—ั้āļ‡āđāļšāļšāļŦāļĢู (ornate)āđāļĨāļ°āđāļšāļšāđ€āļĢีāļĒāļšāļ‡่āļēāļĒāļ‚āļ­āļ‡āđāļŸāļĢāļ‡āļ„์
āļ‚้āļ­ c āļœิāļ” āđ€āļžāļĢāļēāļ° āļ‡āļēāļ™āļ‚āļ­āļ‡āđāļŸāļĢāļ‡āļ„์āđ„āļĄ่āđ„āļ”้āļĨāļ°āđ€āļ­ีāļĒāļ” (elaborate)āļāļ§่āļēāļ‡āļēāļ™āļŠāđ„āļ•āļĨ์āđ€āļ่āļē āđāļ•่āđ€āļĢีāļĒāļšāļ‡่āļēāļĒāļāļ§่āļē āļĢāļēāļĒāļĨāļ°āđ€āļ­ีāļĒāļ”āļ™้āļ­āļĒāļāļ§่āļē
āļ‚้āļ­ d āļœิāļ” āđ€āļžāļĢāļēāļ° āđāļ„āļšāđ€āļิāļ™āđ„āļ›

17. According to the passage, the new skyscrapers built at the beginning of the twentieth century were
(A)  elementary(C)  in a very modern style
(B)  elaborately ornamented  (D)  completely Goth

17.  b. elaborately ornamented āļ”ูāļˆāļēāļ “The new skyscrapers sprouting up at the time were often ornately finished with elements of Gothic or Roman detailing.” āđāļ›āļĨāļ§่āļē āļ•ึāļāļĢāļ°āļŸ้āļēāļ—ี่āđ€āļิāļ”āļ‚ึ้āļ™āđƒāļ™āļŠ่āļ§āļ‡āļ™ั้āļ™āļˆāļ°āļ•āļāđāļ•่āļ‡āļ­āļĒ่āļēāļ‡āļŦāļĢูāļŦāļĢāļēāļ”้āļ§āļĒāļŠāđ„āļ•āļĨ์āļ”āļāļ˜ิāļ„ āļŦāļĢืāļ­āļ็āđ‚āļĢāļĄัāļ™ 


18. Which of the following statements about Frank Lloyd Wright is supported in the passage?
(A)  He was extremely popular prior to the twentieth century.
(B)  He used elements of Gothic and Roman detailing in his work.
(C)  His architectural style can be seen in Chicago’s skyscrapers.
(D)  His “prairie houses” were very different from the elaborately ornamented skyscrapers.
18.  d. His “prairie houses” were very different from the elaborately ornamented skyscrapers.āļ–ูāļāļ•้āļ­āļ‡āđāļ™่āļ™āļ­āļ™āđ€āļžāļĢāļēāļ° prairies house āđ€āļ›็āļ™āļ‡āļēāļ™āļ—ี่āđ€āļĢีāļĒāļšāļ‡่āļēāļĒ āļ•่āļēāļ‡āļˆāļēāļāļ•ึāļāļĢāļ°āļŸ้āļēāļŦāļĢูāļŦāļĢāļē


19. The “prairie houses” built by Frank Lloyd Wri
(A) ornately detailed (C)  skyscrapers
(B)  built in the Roman style(D)  long, flowing, and simple

19.  d. long, flowing, and simpleāļ”ูāļˆāļēāļ “Frank Lloyd Wright, the best known of these early modern architects, started work in Chicago designing “prairie houses,” long low buildings featuring flowing horizontal lines and simplistic unity of design.”
āđāļŸāļĢāļ‡āļ„์ āļĨāļ­āļĒāļ”์ āđ„āļĢāļ—์ āđ€āļ›็āļ™āļŠāļ–āļēāļ›āļ™ิāļāļĒุāļ„āļ•้āļ™āļŠāļĄัāļĒāđƒāļŦāļĄ่āļ—ี่āđ€āļ›็āļ™āļ—ี่āļĢู้āļˆัāļāļ”ีāļ—ี่āļŠุāļ” āđ€āļ‚āļēāđ€āļĢิ่āļĄāļ—āļģāļ‡āļēāļ™āļ—ี่āļŠิāļ„āļēāđ‚āļ้ āđ‚āļ”āļĒāļāļēāļĢāļ­āļ­āļāđāļšāļš prairie houses āđ€āļ›็āļ™āļ­āļēāļ„āļēāļĢāđ€āļ•ี้āļĒ āļĒāļēāļ§ āļ—ี่āđ€āļ‚้āļēāļัāļšāđ€āļŠ้āļ™āđāļ™āļ§āļ™āļ­āļ™āđāļĨāļ°āļāļēāļĢāļ­āļ­āļāđāļšāļšāļ—ี่āđ€āļĢีāļĒāļšāļ‡่āļēāļĒāđāļĨāļ°āļĄีāđ€āļ­āļāļ āļēāļž

20. According to the passage, how do Frank Lloyd Wright’s “prairie houses” resemble the prairies around Chicago?
(A)  They were covered with grass.
(B)  They were rapidly developing.
(C)  They were long and low.
(D)  They were in Chicago.
20.  c.they were long and low –āļ”ูāļˆāļēāļ “These buildings were intended to fit the wide open expanses of Midwest plains that served as a setting for Chicago.” āļ­āļēāļ„āļēāļĢāđ€āļŦāļĨ่āļēāļ™ี้āļ–ูāļāļ•ั้āļ‡āđƒāļˆāđƒāļŦ้āļĢัāļšāļัāļšāļ—ี่āļĢāļēāļšāļāļ§้āļēāļ‡āđƒāļŦāļ่āļ‚āļ­āļ‡āļ—ี่āļĢāļēāļš Midwest āļ—ี่āđ€āļ›็āļ™āļ‰āļēāļāđƒāļŦ้āđ€āļĄืāļ­āļ‡āļŠิāļ„āļēāđ‚āļ้
   

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